Opening the Eye

© 2014 . All rights reserved.

It’s easy to get fogged up with detail. Grasping the technicalities of making any sort of paper is crucial to get the result you need. Standing back from the the finished piece is always, however, a bit surprising.

Lightening up

I could love you forever - detail © 2014 . All rights reserved.

More circular objects. I sometimes worry about the preoccupation with circles, fearing it is too easy, the lowest common denominator. In a way, of course it is. The discs of the sun and moon, the perfect circle created by a drop … Continue reading

The Blues

P1020657 © 2014 . All rights reserved.

I have worked in cotton for some time; because it is completely opaque, the relationship it forms with pigment is somewhat different to the flax/linen. if you cast pigmented pulp, the coloured particles can migrate through the wet stuff, only … Continue reading


saffron detail © 2014 . All rights reserved.

The Buddha taught the first monks and nuns to make their robes of “pure” cloth, which meant cloth that no one wanted. Types of pure cloth included cloth that had been chewed by rats or oxen, scorched by fire, soiled … Continue reading

Money Bowls

P1020834 © 2014 . All rights reserved.

I have been playing with ground-up money from the royal mint for some time, and have so far found it decorative, but not yet, interestingly, charged with meaning. This may change.     In the meantime, here are some pretty bowls. … Continue reading


Chimney bird © 2014 . All rights reserved.

I last posted in this blog in November – 10 months ago – so there’s some catching up to do. I have been occupied with the Peace Paper  in Moray (February and March) and with the creation of our new … Continue reading


pigmentexp © 2013 . All rights reserved.

I’m experimenting with aqueous dispersed pigments* at the moment, and finding it very difficult. The colour looks quite different in the vat to when it dries, and because it renders my vat opaque, I can’t see how much pulp is … Continue reading